BIOSONIC REPATTERNING by JOHN BEAULIEU

BioSonic Repatterning was developed by John Beaulieu,N.D.,Ph.D.

JOHN CAGE
After reading about the experiences of the composer John Cage he decided to experiment. John Cage found that when he was in a completely soundproof room, which is called an anechoic chamber, he had heard two sounds. One was a high pitched sound and the other a low pitched. The engineer that he was working with informed him that the high sound was his nervous system and the low sound was his blood circulation.

JOHN BEAULIEU EXPERIMENTS.....
Excited by this discovery, John Beaulieu experimented in the anechoic chamber. During a two year period John spent over 500 hours in the chamber listening to the sound of his own body. He began to correlate different states of conciousness with different sounds of the nervous system. Being a trained musician he noticed that the high pitched sounds of his nervous system consisted of several sounds in different intervals. Then one day he brought two tuning forks and tapped them. He immediately observed that the sound of his nervous system realigned to the sound of the tuning forks.

INTERVALS....The healing takes place.....
With his continuous work John developed this natural method of healing using tuning forks based on the sonic ratios inherent in nature. When we tap the tuning forks, we produce pure musical intervals based on precise mathematical proportions known as the Pythagorean tunings. When we listen to these intervals we create an archetypal resonance resulting in a physical and psychic repatterning of our mind, bodies and spirit.

INNER EAR
When the tuning forks are sounded and held 4 - 6 " away from the ear, the sound directly stimulates the nervous system. Healing takes place on a physical level within the inner ear by stimulation of the cochlea and semi-circular canals. Our nervous system attunes to the pitch in much the same way we find a pitch for a choir. The vestibular system via the semi-circular canals reproportions our body through a process of cellular memory based on the natural ratios of the tuning forks. During the listening process our physical body will actually reposture itself to hold the proportion and sound correctly.